Confabulación y violencia de género: la fantasía como arma política en Los recuerdos del porvenir de Elena Garro
DOI:
https://doi.org/10.25770/artc.31150Palabras clave:
Elena Garro, fantasía, feminicidios, imaginación, violenciaResumen
Este trabajo busca revalorar el poder de la fantasía creadora capaz de trasgredir tiempo y materia. En Los recuerdos del porvenir Elena Garro rescata esta misma fabulación y la presenta como único recurso a mano para transgredir la violencia mexicana, evitar el feminicidio o desmantelar la injusticia institucionalizada. Se hace evidente también cómo se presentan en la novela los diferentes niveles de violencia de género y cómo tres de los personajes toman la responsabilidad de actuar ante la injusticia cambiando la historia a través de la fantasía y la confabulación. Ellos contestan y subvierten el mundo real y la voz de la autoridad política. Su fantasía es productora de hechos concretos, transgresora de realidades, una fuerza que irrumpe dentro del mundo físico produciendo cambios.
Citas
Bakhtin, Mikhail Mikhailovich. The Dialogic Imagination. Edited by Michael Holquist,
University of Texas, 1975.
Coba Juez, Aquileo Antoni, et al. “Elementos dogmáticos y probatorios del delito de
Feminicidio.” Revista Verba Iuris. vol. 15, no. 43, 2020, pp.191-209.
Curti, Lidia. “What is Real and What is Not: Fabulations in Cultural Analysis.” Cultural
Studies. Edited by Lawrence Gossber, Routledge, 1992, pp.134-153.
Entrevista a Elena Garro. “Rhina Toruño y Patricia Rosas Lopátegui. Hispanoamérica: Revista
de literatura, vol 20, no. 60, 1994, pp. 55-71.
Franco, Jean. Plotting Women: Gender and Representation in Mexico. Columbia University
Press, 1989.
Frye, Marilyn. “Oppression.” Gender Basics: Feminist Perspectives on Women and Me. Edited
by Anne Minas, Wasworth Publishing Company, 1993 pp. 10-17.
Garro, Elena. Los recuerdos del porvenir. Joaquín Mortiz, 1963.
Irigaray, Luce. This Sex, Which Is Not One. Translated by Catherine Porter. Cornell University
Press, 1985.
Jehenson, Myriam Yvonne. Latin American Women Writers: Class, Race and Gender.
State University of New York, 1995.
Kahlo, Frida. Unos Cuantos piquetitos. Colección particular, México, 1935.
Mora, Carl J. Mexican Cinema: Reflections of a Society: 1896-2004. McFarland & Company,
Inc., 2012.
Noel Lapoujade, María. Filosofía de la imaginación. Siglo XXI, 1988.
Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Translated by
Richard Howard, Cornell University Press, 1973.
Descargas
Publicado
Cómo citar
Número
Sección
Licencia
Derechos de autor 2025 artciencia.com, Revista de Arte, Ciência e Comunicação
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.
It is assumed as Author the person (natural or legal) whose name is indicated as such in the work, as embodied practice, or announced to the public by any kind of use or communication. It is recommended that the submitted works do not exceed the total number of four authors. In cases where the number of authors exceeds four, the editors will, ultimately, decide about the acceptance of the submitted work.
TERMS
By submitting a paper to artciencia.com the author accepts, without any kind of reservation, the terms indicated below.
The mere act of submitting a paper is assumed as full comprehension and acceptance, even if in tacit form, of these terms and ignorance about them cannot be invoked.
Authors who publish in artciencia.com, Revista de Arte, Ciência e Comunicação will release their contributions under the Creative Commons Licence CC-BY-NC 4.0: «Licensees may copy, distribute, display, and perform the work and make derivative works based on it only for non-commercial purposes».
The author retains the rights to his work, but its publication in artciencia.com automatically implies the complete and exclusive assignment of copyright to the first edition.
The author is aware that he will not receive any payment / copyright compensation relating to the work submitted despite it is, or not, published.
Similarly, artciencia.com will not charge the author any submission, publishing or distribution fees related with the submitted paper.
The views and opinions expressed in published works are the sole responsibility of the author and may not reflect the editorial policy of artciencia.com.
It should be noted that artciencia.com can reject, by decision of the editors, any submission that manifestly collides with the journal's editorial policy. In such cases the author will be informed of that decision.
After the first publication, the author is authorized to take on additional contracts, independent of artciencia.com, for the dissemination of his work by other means. He must, in that case, to always safeguard the full citation of the original publication.
The author of a published paper is encouraged and has permission to distribute his work by any means, safeguarding the aspects mentioned in the previous paragraph.
