Do Oriente ao Ocidente: A Representação da Dança do Ventre no Brasil
DOI:
https://doi.org/10.25770/artc.19121Palabras clave:
dança do ventre; mídia; produto cultural; globalizaçãoResumen
Este artigo tem como objetivo analisar como a dança do ventre foi representada no Brasil. Nota-se que houve dois momentos marcantes na configuração de um novo cenário para a dança no país: o lançamento da música e do videoclipe Ralando o Tchan (1997) pelo grupo de axé É o Tchan; e a transmissão da novela O Clone (2001) pela emissora de televisão Rede Globo. Assim, partindo da perspectiva de que os sujeitos são ativos e responsivos (Bakhtin, 1975), este trabalho examina como os sujeitos interpretaram a representação discursiva da dança do ventre como um produto cultural pela mídia. Para tal, são analisados discursos coletados (1) por meio de um questionário aberto entre os profissionais da dança no Brasil; e, (2) por meio de um questionário fechado, o que pensa o público em geral. Como fundamentação teórica, são retomados Giddens (1991, 2000), Adorno e Horkheimer (1978), Foucault (1975, 1977), entre outros.
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