Nanoarte - 200 Milhões de Anos: Árvore Pedra
DOI:
https://doi.org/10.25770/artc.11609Palabras clave:
Nanoart, perceptive-systems, haptic, transhumanResumen
Esta é a primeira parte de uma trilogia: semente, árvore, árvore pedra. Os elementos apresentados são árvores brasileiras (tabebuia, Ypê, e Lagerstroemia Indica, Resedá), suas sementes e amostra de uma árvore petrificada com 200 milhões de anos, coletada em Mata, reserva arqueológica no Rio Grande do Sul, Brasil. Esses três elementos são os atuantes em uma narrativa que se desenrola em uma apresentação poética, por meio de amostras científicas varridas pelos: Microscópio Eletrônico de Varredura e Microscópio de Força Atômica. O material foi trabalhado em programas de 3D para guardar as características da nanotecnologia, cujas imagens enfatizam a percepção tátil da topografia gerada pelos microscópios. Animações são eventos com característica do universo nano, onde os átomos estão em uma constante dança de energia.
Design sonoro : Wilson Sukorski.
Orientação técnica: Alberto Blumenschein.
Varredura das amostras: Laboratório de Filmes Finos do Instituto de Física da USPSP e Instituto de Física da USP São Carlos.
Archivos adicionales
Publicado
Cómo citar
Número
Sección
Licencia
It is assumed as Author the person (natural or legal) whose name is indicated as such in the work, as embodied practice, or announced to the public by any kind of use or communication. It is recommended that the submitted works do not exceed the total number of four authors. In cases where the number of authors exceeds four, the editors will, ultimately, decide about the acceptance of the submitted work.
TERMS
By submitting a paper to artciencia.com the author accepts, without any kind of reservation, the terms indicated below.
The mere act of submitting a paper is assumed as full comprehension and acceptance, even if in tacit form, of these terms and ignorance about them cannot be invoked.
Authors who publish in artciencia.com, Revista de Arte, Ciência e Comunicação will release their contributions under the Creative Commons Licence CC-BY-NC 4.0: «Licensees may copy, distribute, display, and perform the work and make derivative works based on it only for non-commercial purposes».
The author retains the rights to his work, but its publication in artciencia.com automatically implies the complete and exclusive assignment of copyright to the first edition.
The author is aware that he will not receive any payment / copyright compensation relating to the work submitted despite it is, or not, published.
Similarly, artciencia.com will not charge the author any submission, publishing or distribution fees related with the submitted paper.
The views and opinions expressed in published works are the sole responsibility of the author and may not reflect the editorial policy of artciencia.com.
It should be noted that artciencia.com can reject, by decision of the editors, any submission that manifestly collides with the journal's editorial policy. In such cases the author will be informed of that decision.
After the first publication, the author is authorized to take on additional contracts, independent of artciencia.com, for the dissemination of his work by other means. He must, in that case, to always safeguard the full citation of the original publication.
The author of a published paper is encouraged and has permission to distribute his work by any means, safeguarding the aspects mentioned in the previous paragraph.
