O ponto de inflexão do documentário Santiago
DOI:
https://doi.org/10.25770/artc.11159Palabras clave:
Documentário, Audiovisual, EstéticaResumen
Santiago (2007) funciona como um ponto de inflexão de uma certa tendência do documentarismo brasileiro. De um projeto inicial de um filme sobre um “outro” social, o tema da versão final é um “nós” sentimental, indicando novos rumos éticos-estéticos-técnicos para as narrativas de documentários.
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