A Descriptive Cartography of Drone Art: Strategies of Resistance in Military Conflicts

Autores/as

  • Anna Natale Universidade Federal de Mato Grosso
  • Dolores Galindo Universidade Federal de Mato Grosso
  • Flavia Lemos Universidade Federal do Pará

DOI:

https://doi.org/10.25770/artc.11090

Palabras clave:

Art, Resistance, Drones.

Resumen

Drone Art brings a broad range of research projects that do not have an agenda in common. This emergent Art brings an opportunity to examine social justice, democracy, and ethical issues, and also helps us to observe the connections between art, culture, ideology and power. Moreover, it also confronts the emergent kinds of armed conflicts around the world. This article is a cartography of Drone Art projects characterized as a strategy of resistance, as a way to criticize the use of drones in military conflicted areas and civil life. In recent years, the controversial use of drones called the attention of artists with different technical backgrounds and nationalities. The artistic products created by them are paintings, photographs, urban interventions, dance, fashion vestments and interactive online applications.

Biografía del autor/a

Anna Natale, Universidade Federal de Mato Grosso

Graduada em Design de Multimeios pelo SENAC/SP. Mestre em Estudos de Cultura Contemporênea na Universidade Federal de Mato Grosso.

Dolores Galindo, Universidade Federal de Mato Grosso

Docente do corpo permanente do Mestrado em Estudos de Cultura Contemporânea ECCO onde coordena a Linha de Pesquisa Epistemes Contemporâneas e do curso de Psicologia da Universidade Federal de Mato Grosso. Possui graduação em Psicologia pela Universidade Federal de Pernambuco (1999), mestrado em Psicologia (Psicologia Social) pela Pontifícia Universidade Católica de São Paulo (2002) e doutorado em Psicologia (Psicologia Social) pela Pontifícia Universidade Católica de São Paulo (2006), com Doutorado Sanduíche na Universidade Autônoma de Barcelona (2004). Atualmente lidera o Grupo de Pesquisa Ciências, Tecnologias e Contemporâneo, além de atuar como pesquisadora da Grupo Práticas Discursivas e Produção de Sentidos PUCSP, membro do GT Cotidiano e práticas sociais da Associação Nacional de Pesquisa e Pós-Graduação em Psicologia (ANPEPP). Vice-Presidente da Regional Centro-Oeste da Associação Brasileira de Psicologia Social - ABRAPSO (2012-2013) e Secretária da Rede Centro-Oeste de Arte, Cultura e Tecnologias Contemporâneas - CO3 (2010-2011).Tem experiência em Psicologia Social como área interdisciplinar, atuando principalmente nos seguintes interesses de pesquisa: Epistemologias situadas; Ontologias variáveis; Biopolíticas; Tecnologias; Arte Contemporânea.

Flavia Lemos, Universidade Federal do Pará

Doutora em História Social, UNESP. Docente do Programa de Pós-Graduação em Psicologia e do Programa de Pós-graduação em Educação, UFPA. Bolsista de Produtividade CNPq.

Descargas

Publicado

2015-09-29

Cómo citar

Natale, A., Galindo, D., & Lemos, F. (2015). A Descriptive Cartography of Drone Art: Strategies of Resistance in Military Conflicts. artciencia.Com, Revista De Arte, Ciência E Comunicação, (19). https://doi.org/10.25770/artc.11090

Número

Año XI - Número 19 - Julio 2015 - Diciembre 2015

Sección

ENSAYO

Licencia

It is assumed as Author the person (natural or legal) whose name is indicated as such in the work, as embodied practice, or announced to the public by any kind of use or communication. It is recommended that the submitted works do not exceed the total number of four authors. In cases where the number of authors exceeds four, the editors will, ultimately, decide about the acceptance of the submitted work.

TERMS

By submitting a paper to artciencia.com the author accepts, without any kind of reservation, the terms indicated below.

The mere act of submitting a paper is assumed as full comprehension and acceptance, even if in tacit form, of these terms and ignorance about them cannot be invoked.

Authors who publish in artciencia.com, Revista de Arte, Ciência e Comunicação will release their contributions under the Creative Commons Licence CC-BY-NC 4.0: «Licensees may copy, distribute, display, and perform the work and make derivative works based on it only for non-commercial purposes».

The author retains the rights to his work, but its publication in artciencia.com automatically implies the complete and exclusive assignment of copyright to the first edition.

The author is aware that he will not receive any payment / copyright compensation relating to the work submitted despite it is, or not, published.

Similarly, artciencia.com will not charge the author any submission, publishing or distribution fees related with the submitted paper.

The views and opinions expressed in published works are the sole responsibility of the author and may not reflect the editorial policy of artciencia.com.

It should be noted that artciencia.com can reject, by decision of the editors, any submission that manifestly collides with the journal's editorial policy. In such cases the author will be informed of that decision.

After the first publication, the author is authorized to take on additional contracts, independent of artciencia.com, for the dissemination of his work by other means. He must, in that case, to always safeguard the full citation of the original publication.

The author of a published paper is encouraged and has permission to distribute his work by any means, safeguarding the aspects mentioned in the previous paragraph.