A Arca Russa habita uma imagem
DOI:
https://doi.org/10.25770/artc.11091Keywords:
Sokurov, Cinema, Rússia, AuraAbstract
Alexander Sokurov estava à frente do seu tempo, quando 15 anos antes pensou na possibilidade de fazer um filme com um único take. A era digital ainda estaria para chegar e conceder-lhe essa possibilidade. Assim, Russkij Kovcheg (A Arca Russa, 2002) é um filme de um único plano-sequência, filmado num dia (23 de Dezembro de 2001), e é também a mais longa sequência em Cinema operada em Steadicam. A ideia de filmar o Hermitage de São Petersburgo, um dos maiores e mais antigos museus do mundo, foi tecnologicamente uma revolução: o único take de 90 minutos em cinema digital, em tempo real, através das galerias do Hermitage, é uma viagem no tempo por diversos períodos da história da Rússia até ao presente. A ligação entre tempo e espaço – a dimensão cinematográfica – consagra ao filme um lugar único na história do Cinema.
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