TY - JOUR AU - Loureiro, Luis M. PY - 2014/08/04 Y2 - 2024/03/29 TI - ecrã|screen|inter|face. da imagem-mapa à imagem-libido. from the image-map to the image-libido JF - artciencia.com, Revista de Arte, Ciência e Comunicação JA - artciencia VL - IS - 17 SE - ESSAY DO - 10.25770/artc.11636 UR - https://artciencia.com/article/view/11636 SP - AB - <p>The screen has become a constituent of the kinetic visual regime of modernity that is constantly producing an <em>inter|face|world</em> whose presence manifests itself as a totality in the quotidian horizon of events. On one hand, its mediation allows us an immediate access to the speed, laterality and superficiality of images permitting their accelerated movement to a gaze that processes them as shareable <em>images-map</em>: coded images whose decoding assure the immediate subjective recognition and orientation in the world he navigates.</p><p>However this (auto)mobilization guaranteed by the sociotechnical screen, one of a <em>telepresence</em>, becomes also a paradoxical extatic (i)mobilization. In an <em>inter|face|world</em> one can no longer define clear separations. There are no borders such as subject/object or private/public. From new readings of Lacan (Perniola, 2006; Žižek, 2009; Nusselder, 2009), we also propose the concept of an <em>image-libido</em> that will allow us to describe the subjective immersion in a symbiotic <em>inter|face</em>. We’re now dealing with the libidinal power of an intimate non-shareable image that transforms us into desiring statue-men (Loureiro, 2007), hybrids of a never fulfilled identification.</p> ER -