A gênese da obra de arte: operações tecno-estéticas entre matéria e forma e seus elementos
DOI:
https://doi.org/10.25770/artc.12186Keywords:
artwork, technology, matter, form, elementAbstract
This article aims to discuss the genesis of the works of art through the techno-aesthetic relationship between matter and form, as well as through an investigation into the minor elements which make up the artwork. Such approach is based on Gilles Deleuze and Gilbert Simondon and their technical philosophy, considering the artwork as a techno-aesthetic object in constant formation. It is understood that artwork is constructed, not by limiting identity, but by renewing possibilities, since art gives expression to the qualities of matter.
O presente artigo visa problematizar a gênese da obra de arte a partir de relações tecno-estéticas entre matéria e forma, bem como a partir de uma investigação sobre os elementos menores que constituem a obra. Tal abordagem sustenta-se em Gilles Deleuze e Gilbert Simondon e sua filosofia técnica, considerando a obra de arte como um objeto tecno-estético em constante formação. Entende-se que a obra se constitui não taxando uma identidade à matéria, mas atualizando-a em sua contingência, uma vez que a arte atribui expressividade às qualidades da matéria.
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